#this was Hard i cannot lie to you. and for what.

[couldnt-think-of-a-funny-name]

okay disjointed thoughts about the wicked movie 1 day after watching it lets go

-first of all, my movie theater put speakers outside and was just blasting the entire soundtrack on repeat. we could hear it down the street as we were driving up. that's just simply insane

-the opening establishing shots of the land were great but honestly. the very clearly animated dorothy and gang really annoyed me lmfao like I'm sorry it cannot have possibly been too hard to get a few extras to stand in front of a screen for point 5 seconds lol. it was so fast that I Know I'm being dramatic about it but they looked more cartoon than the flying monkey's did

-baby elphie and baby nessa are the cutest things I've ever seen in my life...

-I kinda...like the more human/animal hybrids that the stage show and the original movie had. sorry. like I Get they were only like that bc you can't make a real life goat sing and dance but they're just more interesting to look at than normal-looking animals who happen to talk!

-jeff goldblum's face being hidden every time he had a dance number...I have a sneaking suspicion that he wasn't really dancing lmfao

-whoever decided to bleach ariana's eyebrows deserves jail time

-when jonathan bailey first showed up on screen my mother leaned over to me and whispered 'he's HANDSOME...'

-when cynthia finished the 'wizard and I' I had to actually stop myself from applauding. it felt so weird and rude for there to be dead silence after that performance my GOD.

-also omg the part where she's singing about the wizard de-green-ifying her and the colors in the suncatchers were canceling out the green so she looked normal....inspired!

-madame morrible had these HUGE crystal ball looking rings and I just want them so much lmao

-glinda's friends were really funny the bit were she was like 'I need to lie down' and they immediately picked her up like a plank of wood and carried her off while the one was screaming 'WE NEED A PASTRY!!! IT'S AN EMERGENCY WE NEED A PASTRY!!!' had me cackling

-I wish there was more time between them moving in and 'what is this feeling' starting? like I wanted more time to see them bickering and then also more time seeing them getting along after the ball??

-'dancing through life' was BEAUTIFUL however two complaints 1) why would they cut the line 'what's the most swankified place around?' I Quote That Often and 2) at the end when glinda and elphie dance together like...it's beautiful and everything but from what I remember after their solo moment fieryo joins them?? and they have a cute three way dance moment??? and I'm very pro "they're all in love with each other" so I missed that lol

-also just in general would of liked to see more of fieryo with the girls! like it felt like ball->lion cub->emerald city, in the course of a couple days, and idk I just feel like they could have slowed it down a bit?? especially since they broke it into two movies?? like I don't think that Actually all happened in the span of a week, but they didn't do a good enough job establishing how much time was passing so it Felt like it. which is dumb bc then it just doesn't seem realistic that elphie and glinda are THAT attached to each other by defying gravity like it feels like not enough time has passed for them to really know each other

-boq felt very mild tbh I know ethan can be more unhinged than that

-would've liked to see glinda in magic class!!

-I was a little underwhelmed by elphaba's costumes? like there were clearly patterns on the material but it was all the same shade of black so you couldn't make anything out. it felt a bit flat. and I love the idea behind the freckles I agree with freckles I am pro freckles HOWEVER her's looked very obviously drawn on. like, I have seen way more realistic fake freckles before. so that was a bit annoying

-other than the lunchmeat dress glinda's costumes were good! especially loved the flower shaped one she wore to the ball

-the whole trying to escape in the hot air ballon scene was cool as hell but as the flaming remains of it fell to the ground I couldn't help but be like wow...she really just killed all those guards huh!

-also lmfao the bit in the woods with the lion club and fieryo has like a scratch on his temple. genuinely thought to myself 'is that his lobotomy scar' lmfao

-still trying to get over the part in dancing through life where people were dancing on the spinning gears in the clock tower...bitch

-the flying monkeys were correctly horrifying

-when I saw the broomstick I was like 'won't that be really uncomfortable between your legs' but then she just held it next to her like they do in the stage show and I was like....okay I guess you win that one? lmfao like I don't mind it for when she's hovering but when they had her like supersonic zooming on the broom it was weird that she wasn't actually riding it

-overall I just don't understand how it's an adaptation of act 1 but it's the length of the entire stage show?? lmao like I wish they took advantage of the split and added so much more but really really it was still just such a solid great movie. 5 stars. I can't keep talking about it right now I'm gonna start screaming.

[xaverie]

Important tags To Me:

@cherryhastoomuchfreetime

#i also love evan but i do think he has a tendancy to think in extremes #even when his heart is absolutely in the right place#and thinking in such extremes can sometimes obscure nuanced understanding of his friends #honestly i feel like that element of his personality is what drew him and K together #they both are kind of like that lol #and i say this with love and adoration for all 4 of them

I agree and I think it's the fact that he thinks in extremes that leads to stuff like his interaction with the Qohlye. Because he's obviously like 'If you're not with me, you're against me,' with no in between. And if the Qohlye is not doing or saying exactly what Evan wants, then he must not be with him, despite the rest of the team clearly saying that he is.

@kingoftealeafs

#yeah! This is the core of the tension with K too like #people always blame K for imposing their world view onto Evan and YEAH he DOES do that but so does Evan!!!!!!

True, and I think the frustrating thing for me is that. K got... punished for doing this and Erika admits K was wrong in AP. Evan keeps getting rewarded for doing this, and Brennan doubles down on why Evan is right.

This is why I don't really like doing meta for actual plays/improv and will probably keep my mouth shut on analysis from now on. There's no writing/re-writing/editing process, so it's hard for me to tell whether Brennan thinks Evan is justified, or he's just saying why Evan thinks he is justified, or which are strategic/player moves.

@selkiesongss

#which is that evan's worldview is fundamentally at odds with those of his friends #to poorly reference D&G - evan views reality and identity as arborescent concepts #he understands reality as comprised of truths and falsehoods with little room for ambiguity #he understands identity as a concept that grows from a single unifying truth; a foundational principle upon which a person is constructed #sam and jammer's notions of reality are slightly murkier but they generally operate under a rhizomatic framework #with regard to identity - they understand themselves as existing in multiple simultaneous states #'whitney jammer' is whitney & jammer & sandwich man all at once!#'samantha butler' is sam & sam black & sam britain simultaneously! #and on top of that- they're the wizards that evan knows them to be #sam and jammer understand identity as a quilt; the various parts of themselves may take up more or less of their life #but ultimately form a contiguous whole stitched with the same underlying thread#and evan cannot understand this line of thinking #his entire life has been shaped by magic. it has changed who he is at his core. magic is who he is- everything else comes after #playing a role other than 'wizard' would be to lie about who he perceives himself to be #like you said OP- he wants so desperately to be understood but he can't understand his friends beyond who they are to him #i think part of that comes from a difference in what his friends want and what he wants #jammer's motive is teamwork - he wants to support those around him. sam's motive is community - she wants to facilitate connection #evan's motive is belonging - he wants to feel wanted. #while sam and jammer are moving towards the future/the people they want to be #evan is moving towards the treehouse he told jammer about on weugan #he doesn't believe he fits into their lives so he tries to impose who he thinks they are onto them; wizards just like him #if they're all wizards then their lives will slot together neatly. if they're not - he doesn't know how to be something they keep #i want to talk more about how this makes evan really combative when it comes to his friends' leading mundane lives but alas- the tag limit.

Oh baby I LOVE meeting philosophers in the wild 😍🤩🥰

Yeah- this- beautiful, no notes. Except I wish you had added it to the post so I could reblog it!!

So. I love Evan Kelmp. And - imagine that I'm trying to choose my words carefully here.

I've been getting annoyed with him over the last three episodes. Because. I don't like how he tends to impose his beliefs. About what is correct and should happen. On the other characters. And our Black characters, specifically. Which. Was really put on clear display by his interaction with The Qohlye.

Evan seeks to be understood. But I don't think he has.. put in the required effort to reach that same level of understanding with his friends, or in general. Perhaps because they haven't said things in the exact way that he needs to hear them. But he behaves as though he does understand, even though I personally think. That there are things he's missing.

The treehouse conversation. Lots of people seem to get and relate to Evan's side of the convo, which is fantastic! But not as deep an understanding of Jammer's side. Evan decides that the correct thing is for Jammer to come out not hide his magical experiences. He jumps to a few conclusions about the reason - first that maybe Jammer was ashamed, then that he wasn't confident it would go well.

Instead of asking for clarification about what "They need me to be Whitney, you guys need me to be Jammer" means, he had made up his mind. Evan likes that Jammer is magic because that is the way in which Evan feels most connected to Jammer, thus everyone should admire Jammer for his magical abilities the way Evan does. And if Jammer hasn't allowed for that it's some kind of rebuke of Evan, of magic, and of Jammer's own self. Therefore the only correct thing is to merge these identities, but really just be the Jammer that Evan knows.

And I'm not saying Evan is wrong here. But in the same way he's missing the fact that Jammer did try to expose his magic in S2E1, but he couldn't prove it because magic is fucking broken. He's also missing how naturally we, as Black people, fall into code switching. Not just historically as a method of survival, but for practical reasons, privacy reasons, or just to keep our peace. To treat that unilaterally as the same thing as a kind of toxic compartmentalization, or hiding the true self (all of them are true selves), was. Kinda. Sad to me.

Not to take away from Jammer's triumphant success on Galamanis or the freedom represented by growing wings, because this is what he chose and I love that he made those choices. But it also represents potentially giving up fitting into his mundane life and dream career, something he had fought so so hard to keep thus far, and destroying 'Whitney'. This, more than anything before it, might be a fundamental shift in identity.

The same way it made me a little bit sad that Evan had assumed Jammer didn't mean "family" literally, when I immediately recognized that of course he did. There has never been a point in American history where part of being Black and being family hasn't meant - we may have to be apart, but as soon I'm ready (as soon as we're safe), I'm coming back for you, no matter what. It is THE very first promise, the foundational truth, or the only thread of hope that tied so many Black families together through all these generations.

So while everyone recognizes what a sweet moment it was, I also hope people feel the gravity and the history behind "I dream of making that space for you." And the weight of how many people must have said that before him. And what a profound act of love it's always been because sometimes that's all we have.

When Evan tells Sam, "I think you are the most powerful wizard," she instantly replies, "I hope not." Evan's response to this was essentially - who were are is true whether we want it to be or not. Which, to be fair, is both consistent with what he expressed to Jammer and with his own experience. What it leaves out is that our hopes are also who we are. And that maybe the same way he mistook her love toward him for general gregariousness, he is still misunderstanding her a little.

While he deferred to Sam on the matter of whether they should pursue the Qohlye or not, I think it was still Evan's (or Brennan's) idea that not only must all four of them be chosen, but that The Qohlye must be the best choice for Sam.

When the Qohlye says 'I think you're only here because you're convinced you need to be the same as your friends,' is he wrong? When he asks why she needs to be chosen by his magic specifically, she can't answer on her own. When Sam was given the choice between Power and Understanding she immediately chose understanding because of COURSE she did. (She instantly replies, "I hope not." I hope not. My heart breaks.)

And yet. Evan insists that she's given the power anyway. Because that's what fits neatly into what he already believes is correct and should happen. He believes in winning and rewards. He believes she deserves that power and that they need it. So even though I know he does this out of love, he doesn't even consider for a moment that he might be wrong.

Because Sam does get the power, she does thank him, and again not to diminish Sam's accomplishment - once again Evan gets what he wants and is proven right.

Except.

When The Qohlye doesn't give him the answers he wants in the exact form that he demands them. Evan decides that this is a crime for which The Qohlye deserves to die. The Qohlye, who helped return him to life. Who has a strong connection to his friends. (Who chose to be Black, which meant so much to Jammer that he cried.) Who asked each of his friends, in turn, if they thought The Qohlye meant what Evan thought he meant. Who demonstrated that he is not (and cannot be) obfuscating something that is apparently obvious to everyone else.

Evan refuses to accept that yes, The Qohlye can give him information, but cannot understand it for him. And Evan is not ready to Understand because Evan keeps choosing Power. Understanding takes work, even (or especially) when it doesn't come naturally to you. And answers will not always come in a clear and concise way. And this makes him so angry that he wants The Qohlye dead.

While Evan always presents his beliefs and demands as logical and rational, his reaction to The Qohlye's refusal to engage on his terms was simply entitled and immature.

[ryuzakemo128]

Grim Reaper Part Nine

Pairing: Poly 141 x female reader / Female reader/ You x Her mental health x König

Content Warnings: Violence, bloodshed, injuries, Premeditated murder on the brain (Female Reader), swearing.

Words: 756

Note: Sorry for a short one. Wanted to get this one out. Next one will be longer I promise.

Masterlist - Prequel - Part One - Part Two - Part Three - Part Four - Part Five - Part Six - Part Seven - Part Eight - Part Nine

Supernatural AU — Poem

Credit for Dividers:@cafekitsune + @strangergraphics

Summary: Was I stupid to love you? Was I reckless to help? Was it obvious to anybody else? That I have fallen for a lie. You were never on my side.  Fool me once, fool me twice. Are you death or paradise?

Was I stupid to love you? Was I reckless to help? Was it obvious to anybody else? That I have fallen for a lie. You were never on my side.  Fool me once, fool me twice. Are you death or paradise?

Was I the problem? Did I do something to make you hate me so much? 

Why didn’t you just leave me instead of lying so many times to my face?

Was I stupid to love you? Was I reckless to help? Was it obvious to anybody else? 

I hope you rot in this hell you have made yourself. It’s my last gift I will give to you.

You knew how my life was before I met you. Yet you still did this to me. 

Cold. Calculated. That is all you will ever be.

If I had the power to curse you. I would have done it long ago. 

Once I leave this house, this country all over again. Do yourself a favour. Stay away from me.

Stay far, far away from me.

Otherwise, I can and most absolutely will kill you myself.

If you wish to keep your life.

Stay in your country and I will stay in mine.

I don’t want to be pushed into a corner. But you keep being adamant on doing so.

Don’t blame me when I bite you. Blame yourself for ignoring the warning signs.

You are the reason we are no longer married. Take accountability for your actions and shut the fuck up. 

König. You still don’t know if that’s his actual name or just simply a call sign. He never told you either way. 

But what does it matter? 

The man who had once been the epitome of comfort and support in your life had become a shadow of his former self. The trust that had once been as solid as steel between you had been shattered into a million pieces.

Leaving a gaping chasm of doubt and anger in its place. 

The coldness in his eyes, the way he looked at you now, it was like you were nothing but a stranger to him. 

Someone who had merely crossed his path at the wrong time.

"I will leave, and you won't see me again." you snarl, getting up to get your things.

König remains seated, his expression unreadable. "Reaper, I know you're upset, but we need to talk about this."

"There's nothing to talk about. You chose to cheat. You made that choice. Suffer the consequences. I'm not the one who needs to explain anything. You're the one who broke our vows.” 

“My life is in my hands. I will not become who you are.” You told him. Your knuckles turning white from the way you turned your hands into fists. You were so tired of the kind of excuses coming from the mouths of men who neither cared nor wanted you around. 

You weren’t going to let König know you again. To choose death than suffer through his presence a second time. It made so much sense to you. You do enough talk. What did you learn from your mistakes? Did you even learn from them at all? 

If he can’t see it. May he drown inside his endless well of pitiful tears. 

You are not his wife, his friend, his punching bag. The call sign ‘Grim Reaper’? You earned it for a reason. Too bad he’s too blind to see it. 

What has eyes but cannot see? 

Escape.

Escape and run faster than he can hope to catch up. 

If he can’t take the hint, then…..you would have to kill him yourself.

Can’t be too hard to kill a six-foot ten adult man, right?

You can hear the shouting between him and his girlfriend. A sickening, twisted grin spreads across your face. Sweet revenge for the child you lost years ago.  Weight began to lift from your shoulders. It wasn’t over by a long shot. But now you know how to twist the knife to get what you wanted in order to leave. 

To head back home where you felt like you belonged completely. 

Home. Your home. 

The one where you don’t have to hide from broken bottles, yelling, shouting, endless need to feel like you have to explain yourself. 

Could it still be there when you go back? Will it still be there now?

[neuvilette-tea-party]

‧˚₊•┈┈┈┈୨ That sinking feeling ୧┈┈┈┈•‧₊˚⊹

Neuvilette x GN!reader

Tags: flooding, descriptive drowning, a Melusine was hurt during that chapter, slow death, nightmare, Neuvillette being a soft king, husband Neuvillette my beloved

You cannot believe it, you refuse to believe it. But Fontaine's prophecy is unraveling before your eyes...

You shiver, frozen in place, utterly unable to move a single muscle. 

Everyone around you screams and runs and flees and pushes each other... It’s a stampede. A full panic. A mass hysteria. 

You lower your gaze as you feel something hugging your leg. A Melusine looks up at you, eyes full of fear and tears. 

“Is it... The end?” She gasps. 

You want to comfort her, to console her, to tell her everything will be all right and fine. 

But that would be lying. 

“Yes... This is it, little one...” 

Your eyes turn back to the immense tsunami heading toward Fontaine... 

The prophecy did not lie, and Neuvillette’s worst fear unfolds under your very eyes... 

You kneel to the ground and pull the trembling Melusine into your embrace, hugging her tight while everyone uselessly runs away like they could ever outrun such an event. 

The wind gets stronger and stronger, screaming into your ears. 

“Close your eyes... It will be over quickly...” You whisper as she helplessly sobs in the crook of your neck. 

“Where is Monsieur Neuvillette?” She begs. 

“Not here, sweet thing, not here...” 

You count down seconds until the waves will roll over you, ravaging everything in its path, erasing Fontaines from the maps for good. 

“I am scared, (Y/n)...” 

“Do not be, there is no use now...” But your own words cannot calm down the frenzy of your heart. 

You are absolutely terrified, but what can you do now? 

Your grip tightens around her and the wave hits you with all of its strength. 

It is cold, like a million blades stabbing into your flesh, and the pressure is too much to handle. You hold on to the precious little Melusine in your arms as the currents force you left and right, up and down, propelling you against the hard concrete of the buildings, breaking your bones. 

Your lungs scream, in complete fire by lack of air and it spreads to your throat. 

Water is everywhere, all around you, in your eyes, in your nose, your ears, your mouth, and your lungs. 

You feel your limbs losing their strength gradually and with it your grip on the little one. Your head suddenly bursts through the surface, you open your mouth wide open to swallow a big bowl of air... 

Only for another wave to force you back under the surface immediately, making you spin in every direction. In your pain and confusion, you have the realization that your hands are now empty. 

You let go of the child... 

You struggle, to no avail. The fire in your lungs is too great and you slowly lose consciousness and... 

You feel your body being shaken up. 

“(Y/N)...? (Y/n)? Wake up, mon amour! Wake up! This is a nightmare, open your eyes, mon coeur...” A gentle hand comes caressing your cheek, “Look at me, mon amour.” 

You open your eyes full of tears in the darkness of a room, a single moon’s ray piercing through the parted curtains. Neuvillette looks down at you, worry in his eyes as he holds your body tight in his arms. 

“... Neuvillette?” You gasp, tears rolling down your cheeks. 

“I am here, mon coeur. You were crying and moaning. I feared you stopped breathing for a second.” He says softly, cradling your body in his embrace, “It was a nightmare, mon amour. You are safely home, with me.” 

You let your eyes wander the bedroom, grazing the dresser, the bookcase, the vanity, and the wall with your wedding pictures proudly displayed. 

You are at home. 

Safe. 

In your husband’s arms. 

You sob, gripping his arm, digging your nails into his white flesh to make sure he will not leave you alone. He pulls your head in the crook of his neck, caressing your head tenderly, letting you cry to your heart’s content, expressing your distress and tension until you are calm enough to listen to his soothing words. 

He will hold you all night if he has to... 

This is his duty and privilege as your husband. 

[morganas-pendragons]

burn | annatar

i cannot BELIEVE i did this but here I am. i tried!!

this is heavily based off of burn by David Kushner. Hurt, no comfort. I am not sure I got his characterization right but I tried! This is not really "Sauron friendly'' as it very much focuses on the evils of his character.

before you proceed: there are themes of abuse in this. manipulation, gaslighting, etc. nothing physical, much of it is emotional. read at your own discretion.

Enjoy!

@thatlittlered

***

All you've ever caused was pain

You can say you're sorry, the evidence is on my

body but I never complain

He had known he was done for when your sweet, innocent spirit had crossed his path in Celebrimbor's forge. You had seen good in him where there had been none. That marked the beginning of your downfall. The beginning of a cruel, unjust end. One you did not deserve.

His words, though only words, were the crack of the weapon against flesh and blood. The weapon that inflicted the wounds you could not heal, no matter how hard you tried to do so.

Blood kept seeping through shaking fingers. You kept trying anyway. No matter what Annatar said, what he did, how hard he pressed, you still kept coming back.

You kept coming back until it killed you.

It's too late, too late to save me, oh, oh, oh

Celebrimbor had tried to warn you. He'd tried to warn you about the lure of the Lord of Gifts, about his covert manipulations and his insistence in making the seven and the nine Rings of Power. You didn't believe him. Why would you?

Not with the way Annatar sought you out in the middle of the night, whispering words of love - false, all falsehoods, every word from his tongue the lies of a snake - against the pliant form of your mouth while his hands wandered and he took, took, took. He always took.

"Why do you continue to seek me?" You ask him one night. It has been weeks since you've fallen into his lure, hungry for the words and touch, for the companionship.

"For the sweetness and innocence of your spirit, little one."

You watched me Burn, burn, burn

It became harder to discern truth from lie. He never professed those feelings in front of others and often changed his entire demeanor and attitude in his interactions with the other smiths. It's confusing. You try to smile through the words others believe are jests, but it is simply him using your own weaknesses against you.

Your chest constricts. The pain flares. You keep going anyway.

As the days go by, you find your mind more jumbled, a mess of words and emotions you cannot place as you fall deeper and deeper into Annatar's machinations. What remains of your innocence begins to slowly burn away. Burning away those precious pieces of you, those piece of you that made you you, until there is nothing left but ash.

You began to recognize yourself less and less.

You watched me Burn, burn, burn

You work diligently with Celebrimbor in a futile attempt to distract yourself. The lure of him is there, a strong tug at your chest that pulls you against your will, despite every rational part of your mind telling you to remain steady.

When you witness Annatar repeatedly hurt the others around Celebrimbor to make him complacent, you've decided enough is enough. The Master Smith does not deserve the cruelty of the snake.

You, however, are willing to be bitten to preserve him. Annatar has already taken so much of you. What more is there to lose?

Oh, oh-oh, oh-oh, you're not a prophet Have you forgotten that you're godless?

You step in when the veil is torn in front of Celebrimbor's eyes and the reality of Eregion's fall becomes astonishingly clear. The Elven Smith cannot find it in him to stand against the Dark Lord, but you square your shoulders and swallow the fear as you meet the eyes of the one you love - and you hate that you love him, you hate it so much because you're ashamed of it - before you. They are as dark as the night, and just as ominous.

Oh, oh-oh, oh-oh, you're on your knees, and You're tryna speak, beggin' me please, but

"Spare him," You beg. You are willing to grovel, to fall at the altar of sacrifice if it means Celebrimbor will be spared any pain. You don't deserve this. He doesn't deserve this. "I sought you of my own volition. I will take your scorn. Spare him."

Tears burn your eyes as you square your jaw and are forced to look up at Annatar Sauron. He curls his fingers under your chin and holds your gaze there. "Remember," He coos. "You asked for this."

Did I though? Did I ask for the physical pain? Did I ask for the sharp words, the harshness of your tone, the way you isolated me..

Celebrimbor screams as you're swept off your feet and collide hard with the floor of the forge. Blood fills your mouth. Your head spins with the force of the impact, and you're just able to twist your head enough to spit the blood from your mouth onto the floor.

Better you than Celebrimbor.

Don't even say what you're gonna say It's too late, too late, baby

"You know, you really had me," You force yourself to your feet and shield Celebrimbor's body with your own, despite very well knowing that Celebrimbor's body is impacted by the arrows that impale his skin and the blood that coats his face and arms. "I really, really thought that you loved me the way you claimed. It was all a ruse. You needed me to help you get close to Celebrimbor, and when I wouldn't do what you wanted, you tore me down in the process. Are you-"

A single arrow pierces through your chest. Despite the pain that radiates through your whole being, you remain on your feet and meet his gaze head-on with a flash of bloodied teeth.

"You win. Are you happy now?"

It's too late, too late to save me, oh, oh, oh

He wanted so badly to spare you. Sauron wished to be able to succumb to that ache in his heart that was eased by your presence, but you were so sweet and easy to corrupt. It would be better this way.

"There is no happiness in suffering," Annatar remarks. You brace yourself for the second arrow. "Especially when suffering is sought of your own volition, little one. I wish you did not have to feel it."

Tears slide down your cheeks, but you do not cry for mercy. Neither does Celebrimbor. There's no point.

You intend to make him remember you.

You watched me Burn, burn, burn

It is the fifth arrow that falls you. You fall to your knees in front of Celebrimbor, close enough that he can comfortingly wrap his fingers around your arm so you remember that you are not alone. "You, Sauron, will be haunted for all your days by the presence of the Ring Maker," You snap weakly, grimacing when he twists the arrow deeper into your chest. "And will be felled by one with too much to lose, who will cause you nothing but utter devastation. Then you will remember."

He cannot help it. Your words pique his curiosity.

"Remember what?"

You crane your neck as high as you physically can before you hiss, "Pride cometh before the fall."

Fire blazes behind his eyes as, with a mighty cry, he plunges one of the discarded daggers on the floor into your heart. Celebrimbor weeps for your loss as you slide out of his hold and onto the floor. You peer up at Sauron as the blood fills your lungs, the shadow of death looming over you as relief washes over your body.

He can't hurt you anymore.

The darkness claims you, and for the first time in months, you are finally at peace.

***

You are not present to the tears that fall at your loss nor at Celebrimbor's loss.

Sauron stands in the tomb of the Great Forge that holds the two bodies of the people who tried so hard to oppose him the most, the one he loved the most, the one who believed so hard that there had been good in him.

How naive.

"Are you him? Are you Lord Sauron?"

Annatar blinks away the tears and turns to face the Uruk, expression grave.

"I have many names."

***

"Lord Celebrimbor fell when the city did. They say that Sauron was his end. He opposed the dark lord until he claimed his life. But the rumor says there was another... someone else who fought with him and sacrificed themselves to Sauron."

"Do you know who they are?"

A shrug. "We never learned their name. Maybe their legacy will be written into the histories of Middle Earth." Forlorn, longing eyes cast themselves upon the smoking ruins of Eregion. "But we will never know."

They will never know you, for he burned you away until there was nothing left to be found.

A shame.

You watched me Burn, burn, burn

[horce-divorce]

hiii we still just need $25 urgently, because we are OUT of the medication which keeps us both off of feeding tubes and out of the hospital

We have a little bit of money left, but not enough for a refill.

$25 is the bare minimum we need; $40 would be ideal-- but we NEED to go get some TODAY, and 25 is an easier goal to meet. so we will take absolutely whatever we can get. Even if you've only got 5 or 10 to spare that gets us a LOT closer than we were a minute prior 💖

Please reblog 🙏 I know everyone is struggling more and more, and this time of year is always especially tight, but a mere 25 bucks can literally help save the lives of 2 trans people right now and I'm not joking. I really wish I was.

my bday is on nov 15th!! 🎉 it would be ideal not to have to beg for my life for my bday gift, but alas, my bf and I are two homeless, disabled transmascs who have been trying to get back on our feet for over a year. especially in the shadow of the us election, our futures are very uncertain, but we are resolved to live + stay Out no matter what happens. theyre stuck here with us, too >:)

our short term goal is just to get enough $ to pay for meds and the phone bill, maybe $150- just enough to survive the month. I have a rare disorder that doctors refuse to treat, and my med regimen is just barely keeping me off a feeding tube and is ofc not covered by insurance

I don't have much on my WL right now, but being able to manage my pain would be nice <3 we live on less than $3 per person per day, so a little goes a long way for us!!! even $5 or $10 makes a huge difference!

[ 🫐 paypal ] will go further but we also have [ cshpp🐛 ] 💖✌️

[forest-hashira]

Fic authors self rec! When you get this, reply with your favorite five fics that you've written, then pass on to at least five other writers (except me because obvs I have done it). Spread the self-love ❤

AHHH LIN!!! ok ok uhhhh. this is cheating a little bit bc two of these are series but they really are so special to me, i can't possibly pick just one chapter/installment from either of them. anyways, here are five of my favorites, not necessarily in order (edit: why the FUCK was this so hard???):

Noble Blood - stsg x gn reader; jjk dragon rider au. by word count, this is the longest multichap fic i've ever posted. it's really niche, since it's 1.) a reader insert, 2.) a poly ship, & 3.) a high fantasy AU, but it one of my favorite things i've ever written in my life, and i've been writing (fic & original writing) for over half my life.

Transfem Gojo - trans woman gojo satoru x gn reader. i've always loved playing around with characters' genders and sexualities, which like... there's definitely some projection happening there, but we don't need to talk about that. i also didn't expect the concept to turn into a whole series, but it has, and honestly i couldn't be happier about it, especially when it brought one of my favorite people into my life ( @dr-runs-with-scissors ily) and when i see how much other people love her, even if it's a very small group. again, a very niche concept, but i love it.

Too Much - kocho shinobu x gn autistic reader; shinobu helps reader through a meltdown. this fic was a gift for red ( @redlikerozez), actually! i really like this one bc, as someone who is autistic, it fulfilled a very specific hole in the reader insert space (at least in my experience). it was also nice to write for a character i hadn't yet written for, who is also a female characters and a character that generally has less fic written about her!

Lucky Shot - outlaw geto suguru & fem reader; platonic w/ open ending; gun violence, blood/injury, minor character death. i really liked all the entries i did for riley's collab, but this one is probably my favorite of the three! it was also my first geto fic that didn't include gojo.

Day Off - maki & gn reader; you spend the day at the arcade. this fic is the only one i've ever written based on a request (for @/yuutito), but it was so much fun to write! maki deserves more fics and writing something platonic is always nice.

honorable mention goes to my selkie shoko x gn reader fic Lost & Found.

[uncanny-tranny]

If you truly want to do what's best for mentally ill people, you have to learn that you often won't be able to separate the "salvageable" parts of ourselves with our illnesses, and you can't pretend like we are sane people underneath the façade of insanity, like we can flip a switch and magically erase the differences that make us "disordered"

[mars-ipan]

hey folks did you know i love super dangan ronpa 2

[trainingdummyrabbit]

[SURFS INSIDE OF THE ASKBOX AGAIN] hello i am Here to ask about what the Hell do magpie and luci have going on. Considering the whole Thing. magpie's watch being important to him and how luci is associated with the backwards clock. That Kind of Ordeal ^<^

hai . i am so capable of being normal about this. lie.

ok so im once again going to be At It, some mix btwn scattered notes and infodumping and me just saying words You Get It. i have Not been talking abt them as much as i think abt them, theyre another dynamic that haunts me to death. you understand. anyway; ~28 paragraphs.

so first i should Probably actually go over magpie as a character bc i. somehow. dont think i have. at all. so ^_^

magpie, our funny little manager, is introduced mostly as a negligible character. honestly? he just kind of sucked. shows up to be really annoying before dipping again, yapping just because he can, mostly. hes set up entirely to be some 'rich completely-inept asshole climbing the corporate ladder,' acting like hes So In Touch With Everyone (but still blatantly comes across as a complete and total narc). this is on purpose. magpie is a liar.

none of that is true, and he simply plays up the role so that people dont really suspect anything of him. actually, hes not supposed to be the manager at all. at his core, hes actually just. some guy from the backstreets people hire to do misc dirty work-- delivering information, just so happening to mess up in places that takes attention away from someone else, poking his nose places it doesnt belong-- hes got the look and charisma of someone who can be trusted, and he plays it up Hard. multiple times.

he has several different presentations he cycles through to get people to see him a certain way. he is Very Good at his job. he Hates his job. so much so, in fact, that after a particularly. messy. instance, he dropped off the map entirely to figure out some way-- any way at all-- to regain some sort of stability. (to stop the inevitability of harm even a little bit, even just once. (to make up for it all, maybe.))

so. yeah! magpie lies. a lot. he doesnt really care for status or the company as a whole at all-- originally it was just t cause problems for people he views as In Power, but like… fuck dude theres a LOT of people who Just Work Here, and if he went through with just Causing Problems like he thought he was going to, well. oof. so. change of plans! honestly now hes just trying to find some way to Get Everyone The Fuck Out Of Here.

he plays the part, and he snoops. he pretends not to notice shit he Definitely shouldnt be allowing (but like… if it makes shit easier for them, then yknow..) and pretty much just… lets people treat him however. because ultimately his act is Annoying and Untrustworthy yes, but also Completely Nonthreatening. people will let him get away with a LOT of shit with the excuse that he is "kinda stupid" and "doesnt know what hes doing." and well, yknow. whatever works! there is no way this can backfire <33

. so his thing with luci.

luci also generally sticks to her role as just kinda. yknow. Managerial Guide. at least to start out with. shes just figuring shit out yknow. and honestly, nobody really catches onto her being like… Conscious. except for Magpie. because he would always make dumb little quips and jokes at her out of habit-- yknow, like one talks to a particularly unruly printer or something-- and then she would respond in kind. like… snarking back enough to be like Okay Theres No Way Someone Just Programmed That In There Right. and not just that, she'd return with her Own little quips and questions, then act as though she didn't.

magpie originally takes this as a kind of "haha ok thats kind of fucked, at least thats something Super Illegal against these guys we can use if we need to" but then. unfortunately. the thing about magpie is that, against his own instincts, he cares for people. a Lot. he doesnt much enjoy watching people in danger-- and most certainly doesnt want to cause any of that Himself, he's over that.

which is to say: he Instantly gets attached. he cant really say it, but he counts her as as much of a person as anyone else is pretty much instantly, despite him knowing he really really shouldnt be doing that this is so stupid he cant just jump to conclusions like that and if anyone finds out theyre all So Dead. but he cant :( he cant help it… hes just a lil guy and luci is very obviously doing a horrible fucking job at hiding the fact that shes like… conscious. and he has a role to play up too, so its not like he can Do anything, especially since shes part of the damn facility's system and can probably get into contact with important people really easily..

so for a while, its just. luci thinking shes doing a great job at slinking around and playing the manager for a fool the whole time, and magpie fully aware but pretending not to notice and trying to just make things passively easier for her to figure herself out without anyone noticing. its insufferable. because theyre both Correct and Entirely Wrong about each other.

luci completely falls for his Dumb Manager facade and plays the part accordingly, playing around with him because its convenient and kind of funny, she also happens to be the only one who catches on that he is Not Supposed To Fucking Be Here, but plays along because, again, convenient. easy enough scapegoat if she needs it. meanwhile magpie clocks onto her Instantly, but Completely misses the fact that she isnt just innocently futzing around like he thinks she is. he somehow completely trusts her, so much so that despite being the only person who could possibly figure out her Scheming he just. completely rules it out. i really have to reiterate, they are So fucking insufferable.

it isnt until past halfway through th fucking game that luci catches on that magpie's front is . well, a front. and she is genuinely insulted she never caught on. its so fucking funny. and then things get kinda complicated bc like… [waves hands around] story events…..

luci kinda functions as a sorta "final boss" for the whole thing, in heavy quotes. ihavent decided exactly how itll go yet, but. waves hand around. the point is that shes kind of directly responsible for a LOT of people dying, and also kind of for directly threatening Them as well. but the thing is, she hinges Immensely deeply on the idea of Relevancy. because her own nature is so fickle and fragile, shes insistent on making a strong Impression of herself-- as this is what she feels like will root her into reality. something much like how abnormalities function-- ideas dont really ever die, and neither do they. and Thats what she wants more than anything.

so. while it wasnt exactly her entire Goal from the start, if she can cement herself as a Villain, then sure. whatever. it could be fun! and she plays it up. as she is wont to do.

that whole thing is important because of th fact that like.. the only person who Doesnt immediately believe that image of her IS magpie. like… yeah hes kinda had th rug pulled out from under him completely (and its kind of true that if he'd been a little more observant that he could have literally stopped all of this.. he tries not to think about it too hard.) but he also just… god, despite everything he still hates the idea of having to do anything to her.

it takes him a while to figure out why, but its because he's ALSO immediately able to call out her bluff. AGAIN. due to being pretty much the only person that talks to her directly (and.. genuinely ??? kind of??) he can tell when she is intentionally hiding something. she is very deliberately playing up the Idea of what a villain Is, goading everyone on, but he knows damn well what shes about. the issue is that it isnt wholly untrue either.

its like. yeah she intentionally hurt a lot of people, and will probably keep doing that if someone doesnt Do something about her (like everyone else wants to do…) but also… well to put it bluntly, again, she wants little more than simply to be able to Live.

shes purposefully putting herself into a role in order to get what she wants, confident that she can do whatever she wants with no consequence, and treats the entire thing as a weird little game. she doesnt really hold any malice in her heart, she just. she's just desperate and deeply, deeply confused.

shes not good, but shes not evil either. she is JUST stupid. she doesnt know what shes doing and will do just about anything to hide that fact because she hates the feeling of not having control over these things. something she Also tries to hide. honestly hes not really sure if she even notices it herself.

at this point luci has literally never had to deal with the consequences for her actions so this is quite literally the Peak of her hubris arc. to put it in a way, shes convinced she understands how the story goes and can change it how she wants, and she Does Not and Cannot. her arc is essentially trying to assign narrative significance to things in the hopes that it Fulfills something in her. it does not. instead she just has a bunch of problems she caused herself. oops. oh well <33 and its not like magpie doesnt try!! unfortunately its a little hard to talk someone down when theyre Actively Trying To Kill You, and also when theyve completely resigned themself to this sort of Only One Of Us Can Survive ultimatum.

which is to say luci keeps collecting death flags and well. oops <333 which kind of ends with magpie being literally the only person who knows that luci was ever anything other than that Antagonistic Presence she insisted on being (because she would rather have committed fully to that than to ever reveal that maybe, just a little, she was terrified of what would happen otherwise..)

but most importantly, luci ends up being Another Person that magpie couldn't help. its not like he couldve DONE anything, she would've refused anything and everything regardless, its just. man. god. ugh. that… that sucked. its not like he has a horrible track record of repeatedly failing to save people or anything… lol lmao………

so hey, the watch, right?

its something he got from one of his little jobs. last one he ever took, actually. he'd never say it was really a Moral way to make it day to day, but like, what Was, right? nothing was Really moral, everyone just kinda did what they had to; so like, no need to worry about it right? no time for all that. but then you pay a little too much attention, slip up a little, get to know someone a little too much; learn they're pretty much exactly like you are. someone with wants and hopes, little preferences and stories they get excited to share.

and then you get the guy killed. part of the plan from the start, of course, but like... he was Right There. its different when you have to look em in the eyes when you do it, yknow?

magpie's key running emotion is Guilt. he spent so long trying to avoid facing the reality of who he was and what he was doing, but unfortunately it catches up to him Big Time. he's just deceptively good at acting as though that isn't the case. no time to slow down, after all. he couldnt Afford to do anything else. honestly? his entire stunt with lcorp wasnt even something he Thought about too hard. it was stupid and impulsive and he knows it, but now he's Here, and he Has to do something. it has to be something, he can't just let it go. can't just let them go. (some part of him hopes that at the very least when it Does all backfire on him, at least it'd help somebody in the process...)

the watch is a reminder. something kind of absentmindedly tossed at him by the guy who put him on the job as a little something extra, (or in other words, something they didnt bother to want to deal with.) and then it turns out, it was just some petty fuckoff disagreement between them that started th whole thing! but its cool because he gives you the dead guy's watch "to sell for at least a little extra, as a tip." right. of course. yeah, that's... yeah, thanks. great!

he cleaned it and fixed it up and he keeps it as a memento. a little "hey dont fuck up again ok buddy?" a little "you could literally die at any time so like just remember that ok buddy?" ... an "at least let me honor this somehow before karma comes back and inevitably kicks my ass." equal parts reminder and weight to bear. sentimental piece and confession of guilt.

luci's ordeal with backwards clock is a mostly out-of-narrative subject-- assigning her abnos to thematically tie with for funsies. the clock is, wouldnt you guess it, linked with her experience with regret. its... very, very complicated to explain, especially because of the fact that 1) shes already so goddamn hard to decipher and 2) she is Also fully incapable of processing it for what it is.

which... kind of brings me to the whole Thing. magpie is plainly, fully aware that trusting luci in the way that he is is by all means a horrible, horrible idea. she's made it abundantly, repeatedly clear she will simply do whatever benefits her most at any given point. but all magpie can really see is someone struggling just a few paces behind him, exactly somewhere he has been, something he remembers incredibly clearly. as stupid as it may be, he wants to help her. he wants her to be able to find herself, confront what she refuses to acknowledge, give her a fighting chance.

he cant stand the idea of letting someone slip through his fingers like that. it's... its complicated, but its something he wants to stand by. luci just doesnt get it. she still holds a grudge towards him after everything, an odd caution knowing that he just. knows things about her. has seen her for what she is, further than she can bear to acknowledge herself, as bad of a job as she's doing hiding it. luci will continue to refuse any opening he gives to her, but he will continue to offer the option, time and time again.

. anyway heres some images.

[maractean]

SO!!! To anyone unaware, early this month I entered @catmask and @frogcroaks' Monster Mayhem contest!! I made a messed up crab that I called the Haven Crawler. And. Uh. Holy shit, my crab was Lemmy (frogcroaks) judge's choice. So I figured to thank them (and everyone who said. such unbelievably nice things in the chat) I'd post the actual images present in the ref, transparent and on their own!!

Again I want to thank both of the judges for all of the unbelievably kind words they said about my lil guy, and to the chat who was so incredibly nice as well. I honestly still kind of feel like I'm dreaming, and words cannot even begin to express how much this means to me. I've never felt more motivated in my life to continue creating. Thank you.

[iliveinprocrasti-nationn]

one thing abt being disabled/chronically ill that some people don’t get is that sometimes body maintenance that ensures you have the absolute minimum amount of function can also be something that takes away a lot of control and autonomy. you can argue till the cows come home that making those decisions to try and help yourself (or realistically to try to make sure things aren’t worse than they already are) is something that exhibits control and autonomy and stuff, but they can be so limiting in practice because they’re things that take up so much time but have to be done to do anything else

[annadelveys]

always love it when i go through a Major Crisis but you wouldn't guess from the way i post <3 anyways I'm going through a Major Crisis

[waywardsalt]

small little thing abt botw/totk and the future of zelda games considering it seems likely that future zelda games might be in the same style as those two and how i feel like botw/totk don't actually feel like zelda games (kind of messy i just typed this out in a kind of informal or whatever way) (this post is long af btw so uhhhh yeah)

im part of the group that claims that botw/totk aren't 'real' zelda games but... i guess they are technically 'real' zelda games, but... they sure as fuck don't feel like it, and because of that, i'm not at all excited with the idea of future loz games being in the same style, especially with the pitfalls these last two games have fallen into having been things that past zelda games did especially well, it feels like things have been sort of flipped on their heads in terms of what's being valued or whatever

like... the best parts of older zelda games were things like the story and the characters and the puzzles and the dungeons and stuff like that... the best parts of botw/totk right now are just the gameplay. people enjoy these new characters, but they dont have the narrative backing that older games do, they don't have the same impactful arcs or roles allowed by a more linear story

the point i want to get at though is how botw/totk honestly don't feel like direct evolutions or steps up from past zelda games but rather just... entirely different game styles (open world games) with the zelda flavoring and worldbuilding and story styling slapped on top.

i mean... i feel like a half-decent example of some other well-known franchises that have jumped on this (honestly kind of thoughtless) open-world bandwagon are mario (mario odyssey) pokemon (sword/shield and scarlet/violet) fire emblem (kind of. with some free-walking segments in 3 houses and engage) and the soulsborne type games (elden ring), these are all other well known and storied game series' that have somewhat made the move to open world, and i think that switch was a bit smoother, kept the core and integrity of the games that came before much better than botw/totk did

elden ring is the easiest to explain- the gameplay loop and core mechanics are the same and build upon past games' you just have more room to run around and get killed in with some little open-world flourishes like material gathering.

fire emblem is... a bit less flexible in terms of changing up the core gameplay, and the addition of open-world segments are added to add bonuses to the strategy gameplay and allow for more support-building oppourtunities and little minigames, and its more or less evolution from echoes' dungeon-crawling bits and the customizable castle in fates. the core gameplay still effectively works the exact same, just with some little class or mechanic tweaks and additions.

mario odyssey, though each world was pretty massive, still had your typical 3d mario platforming, and the new hat stuff fit in pretty well with olderpowerups and gimmicks, and the boss battles feel and work pretty similarly to the way they used it- odyssey does feel like an evolution from past mario games (ps. playing two-player with one person as cappy snaps the game in half. its the secret easy mode lol)

the new pokemon games are pretty much just the same as past pokemon games, theyre just open world and buggy as fuck rip have extra little open-world flourishes that build on what past games set up. the battling works the same as ever and the progression is the same with a number of powerful trainers you have to battle to continue forward.

with botw/totk... the progression is dramatically different in terms of power-scaling, world presentation, item-gathering, puzzle-solving... pretty much everything in the established zelda format. i get that it was pretty much the aim with botw to have a fresh start and throw out a lot of the old standards but it just makes them feel so dramatically alien to past zelda games; theyre completely different experiences in pretty much every single way, and as such they dont feel like what we've (well, people who have started with and spent a lot of time with other loz games) learned to associate with the zelda titles.

with open world games in general it's a bit harder to have a truly impactful narrative akin to those in past zelda games, anyways. i will admit that botw was a good execution of trying out something entirely new, and the narrative and gameplay and world actually complement each other very well, so despite what i've said in the past I can't really fault it's narrative too much since it's a less traditional sort of narrative and effectively does what it aims to do very well.

totk, on the other hand, proves that this style of game does not mesh with the old style of storytelling at ALL. linear games can have proper narratives with coherent stakes, developing characters, twists and reveals and building emotion and mood- and all of that is thrown out the window with totk when they decided to try and have both a more linear story with actual reveals and development and emotion, while also letting you literally spoil it for yourself out the gate.

you can't really have a well-executed story when players are capable of doing things drastically out of order and of jumping into story beats without the prior buildup and straight-up ruining what could be otherwise emotional reveals, and players being capable of doing this is hard-baked in how the game fundamentally works. I honestly feel bad for people who found the fifth sage by accident before anything else.

you can't effectively have a linear story with character growth and plot developments and impactful moments while also allowing it to be experienced out of order and with massive time gaps in between; with this kind of stuff, you can't really have your cake and eat it too. say what you will about the linearity of past zelda games, but i bet you that midna wouldn't be as beloved as a character as she is if it weren't for the linear order of the story and its events. certain parts of storytelling may demand for a linear manner of telling that story.

botw's story works because none of the memories reveal anything groundbreaking taht you don't already know; they are optional and merely give you more information about these characters from link's past and simply inform you about the girl keeping ganon at bay. if you find a late memory first, that's fine- it technically doesnt reveal anything too important to you, it just fills in some gaps for you and your player character. it makes sense within the story itself for the world to be so open and for you to be able to do what you can; the story is not the focus, nor is it even needed to beat the game. the story was made with the gameplay and what you are allowed to do in mind, and as such doesn't include things such as in-depth character development or important plot-twists.

on the other hand, you can easily spoil totk's biggest plot twist in a handful of different ways completely by accident, just by getting curious about the world around you. this can shatter a lot of the mystery or tension in the plot and this can happen completely by accident to someone playing the game organically and blindly. the story itself doesn't take this into account, it reads more like a linear story that would be more suited to a linear style of play, coming across things in order to ramp up the stakes and let things be revealed at the best possible time. (tbh totk's story doesnt seem to take the player into account in general, if the game forcing you to watch basically the same long cutscene four fucking times says anything, jesus christ)

narrative pitfalls aside, botw/totk put heavy emphasis on gameplay, but not in the same way older zelda games did, and as such trade away the unique items and gimmick-y game-specific mechanics for a small toolset handed to you out the gate. what botw/totk do- giving you everything you need from the start and having very little true varation in the gameplay from then on out- make sense and works just fine for an open world game. there is, however, a lack of actual depth to that gameplay that other open world games do have (off the top of my head, the ability to unlock and upgrade abilities and have general character upgrades in fenyx rising as well as the impressive depths of elden ring's combat and character customization system). the most depth botw/totk has to the actual gameplay is just the fourish different weapon types and the ways you use your fourish abilities (saying fourish bc for real ultrahand and fuse are fundamentally the exact same thing). there is also just raising the little defense numbers on your armor and getting more stamina and health, but that does absolutely nothing to the actual gameplay but make link more durable.

i mean, sure, health in past loz games just makes link more durable, too, but thats how health upgrades in any other game work.

the gameplay switch makes sense, considering the switch from a linear puzzle-adventure concentric game to a more sandbox-esque open-world game, but it does not mesh with the former loz formula at all, so while the shift in style makes sense, it makes me think that you can't have a previous-style loz experience in an open-world sandboxish sort of game. especially with how in totk you can very easily bypass most of the fire temple just using the mechanics handed to you at the start. you can't have the same type of zelda dungeons in a game where you are allowed to do it 'wrong' and the game itself does not allow for the same kinds of puzzles.

i am of the opinion that so long as future zelda games work the same way botw/totk did, we will not get old-school zelda-style dungeons again.

the loss of a variety of items used for specific puzzles and environment switches is the loss of a varied dungeon experience and the loss of the same kind of world and character progression as past zelda games.

you are handed everything you'll ever need at the start of botw/totk. the only thing that will meaningfully change is how much damage you do. there are no alternate strategies opened up by new items that can double as weapons, no new traversal options or routes opened up by things such as grappling hooks or clawshots or whips or specific wands. even the battle system is drastically different, instead of being enemies that take specific amounts of hits to die while you can obtain progressively stronger swords, enemies are just damage sponges and you can get all kind of weapons that just do different numerical amounts of damage.

the bosses themselves- big staples and draws of zelda games- also work extremely differently. instead of having to leverage specific items to expose weak spots or having to fight in a specific manner to do damage, you are just asked to... do damage. even in totk's bosses, where sage abilities are most certainly helpful, the only boss i found to truly require a sage ability was the lighting temple's boss; the others i either hardly used the sage at all (i didn't use yunobo at all in the second phase of the fire temple boss and hardly had a need for tulin with the wind temple boss [esp considering i was using a 3-shot lynel bow to make the poor fucker a cakewalk]) or found that alternative solutions felt better, like resorting to splash fruit on repeat water temple fights instead of wrestling with having to activate and use sidon's ability. the sages are honestly fairly poor replacements for dungeon specific items.

this kind of causes botw/totk to play more like a poor man's dark souls or just like any other open world rpgish game. i don't play botw/totk for the experience of a zelda game, i play it because it's an open world game that i can walk around in for five minute before switching to something else because i liked something in that other game better.

the combat in botw/totk isnt designed in such a way that makes it feel good. mineru's mech is fucking dismal, but since it's just either shooting with a bow or attacking with one of three types of melee weapon with some timing for a dodge, it can get stale fast. it doesn't necessarily even feel good, since there's not enough variety for it to get really engaging. (this is def an uneven comparison, but elden ring's combat feels considerable better with the different dodges you can do and the amount of attack options you have with just one weapon, not to mention the amount of control you have over your general fighting style.) combat in botw/totk at hour 1 is the exact same as combat in botw/totk at hour 100, the only different being the amount of damage you do or how much of a beating you can take.

it just... the styles of botw/totk can't allow them to feel the same as older zelda games. the shift in style was clearly a good move to draw in series newbies and shake things up, but it comes at the caveat of making them feel distant from their predecessors and uncomfortably similar to other games like them. it's hard to avoid comparisons with elden ring when on the surface they are very similar games, one just feels more true to its core identity

this all is said without mentioning the way in which botw/totk lore feels almost dismissive of past series staples and seems intent on not looking back while also taking every fucking attempt to nudge you and say 'hey, remember that zelda game' and honestly all that shit does is make me want to play a different zelda game.

botw/totk seem altogether very desperate to distance themselves from past zelda games while also being unable to really tear itself from what came before and it just culminates in me spotting linebeck island on the map and going 'damn i miss linebeck' and turning the fucking game off to play phantom hourglass instead. say what you will about phantom hourglass, but it certainly handles its story progression and character development infinitely better than the game that lets you accidentally shatter the impact of the story by deciding to check out that cool temple in the distance of the depths

[livvyofthelake]

and what’s crazy to me about the situation where the actresses in pride and prejudice 2005 didn’t wear makeup, is that everyone is like. oh they’re lying. oh no one looks that pretty without a full face of makeup. oh it’s a lie they had a makeup artist credited and i don’t believe it was only for “continuity” they’re all lying!! like. are you for real so influencer pilled that you can’t believe that women can be beautiful and appealing to you without covering their faces in makeup. “but no makeup doesn’t translate as well on camera so they’re lying” actually if you know how to fucking film it right and light it right anything can look good just because YOU don’t think YOU look as good without makeup on your front facing phone camera doesn’t mean joe wright doesn’t know what he’s doing… like girl we all already knew kiera knightly was beautiful and had flawless skin is it truly so hard to believe she wasn’t caked in foundation

[pepprs]

i literally need there to stop being situations circumstances events developments complications and happenstances. for the fucking love of god